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"Consistently throughout his work, Morell disrupts the boundaries
of a fixed or permanent understanding of things. Like Lewis Caroll's
White Rabbit, Morell tests the malleability of the everyday world,
presenting ordinary objects from absurd or unfamiliar vantage points
. . . Like the photographer, who transforms his subjects through
unexpected perspectives and mesmerizing description, the viewer
becomes transfixed by the potential of the commonplace."
- Diana Gaston |
